Back Track

In the course of one's creative progress, is it ever ok to back track? To re-visit, re-work? Resurrect if you will?

I'm rapidly approaching my thesis year, but for the past couple days, I've been thinking about these, which I did in my third semester at Towson. I've always really loved these because they're fun and experimental and I got to try a lot of weird stuff, and nobody can really tell what they are, exactly. I haven't shown them much, most of them fell apart, and I never got really good photos of them.

My themes, and ideas have changed since I made these (mainly, I have a clearer notion of what those themes and ideas are!), but I was wondering if I could revist these in the context of my thesis work. Could I view each one as a prayer or a daily devotional of some sort? I'm not sure if I could manage one daily. They seem to work up better in batches, but I think individually they could represent the idea of a daily practice. I'm thinking of a large installation. At least 40, maybe more.

Thoughts?

New in the Shop

Added this and a few others to the shop today.

"Do You Want to Help Me Hammer?"

I spent most of today volunteering at the annual Youth Arts Festival. The festival is put together by the arts and community class every spring and different local artists and guilds come together and run arts activities for kids.

I was asked to volunteer kind of last minute, and had to come up with an idea for an activity on the fly, based on what materials I could get my hands on. Then there was some miscommunication between the metals grads and undergrads and some confusion on what activity we were actually going to do.

In the end though, we did bottle cap necklaces with the kids, using a huge donation of old bottle caps given to the studio a while back. We let the kids pick a bottle cap, choose if they wanted it flattened or domed, drilled a hole, put a jump ring on it and let them pick out their favorite color of string.

I don't know how many bottle caps I hammered or helped hammer today. Or how many times I heard "Don't hit her fingers." or, "You must be really brave!" The little kids were great, so excited to hammer. Some of the older kids were a little bit shy about it. It was great to see them get excited, and even better to see the parents get excited. And no one hit my fingers with the hammer. Only one came close.

The weather was beautiful, if a little cooler than we would have liked. There were all kinds of great activities: letter press and linocut printing, cyanotypes, marble dying on fabric, needle and wet felting, painting, a bouncy castle, live music, a giant parachute to play with and even a drum circle. The sculpture guild build a huge bamboo dinosaur with the kids and there was even a blacksmith there who dressed the kids up in safety gear and let them forge.

It was maybe a little hippy (there was a drum circle), but very wonderful. I got a beautiful henna tattoo and made a kick ass bird with a crown. Our bottle cap necklaces were a huge hit with the kids and even some of the adults. We hardly put a dent in our supply of caps, despite all the necklaces we made, so they'll probably be back again next year, but maybe I'll let the undergrads run that, and come up with my own cool metals activity.

Have a great weekend. Thanks for reading.

North Carolina Love

If you've hung out with me for any length of time in the past year, you've probably heard me say "I effing LOVE North Carolina!" I'm sure that sounds a little bit fanatical, and it is. But, it's also true. And since I made my drop spine box to the measurements on my handouts, and not to fit anything specific, I decided to make it my North Carolina box. I lined the inside with a vintage NC road map, and plan to put my postcards and other North Carolina memorabilia in it. (Yeah, I just said memorabilia.)

I found this vintage postcard at one of the local antique/junk shops today while I was doing a little retail therapy. It's a classic North Carolina view, and reads:

"Here's to the land of the Long Leaf Pine,
The Summer Land, where the sun doth shine,
Where the weak grow strong and the strong grow great,
Here's to 'Down Home', the Old North State!"

Perfect.

Quote of the Week

"I am subject to various states. In one state I can speak and in another I do not speak. In one state I can listen to the stories of other lives and respond to them. In another I withdraw to my room and see no one. In yet another I am utterly distraught, absorbed in God, unable to communicate at all. It's too risky for you to come here on the chance I might be amiable and able to have a conversation."

~Bahauddin

Wearable Books

Black Spot Books

Allison Cooke Brown

Janna Syvanoja


So, I'm considering making a wearable book for my Book Arts final, and I was putzing around the interweb, doing a little informal research, and came across these. Not exactly what I plan on making, but cool none the less.

SNAG Houston Pt. 4: Rothko Chapel

On Saturday during SNAG, I went to the Rothko Chapel with a few friends. I took some images outside the chapel, but none inside. I don't know if it was permitted or not, but it just didn't seem right. Here's a stock image of the interior, although there were more benches when we were there:

It was interesting to see who came through and stayed awhile, and who breezed right through. I mean, why come at all, if you're only going to spend five minutes in this sacred space?

Considering. . .

I've been intrigued by the idea of Dervishes for awhile now, without really knowing why, but I've been reading Rumi (still!) and been thinking about them for days.

Process Shots of the Week

Pages for my stiff leaf binding project and "Gray Prayer", complete.

SNAG Houston Pt 3

While taking in the excellent exhibitions at the Houston Center for Contemporary Craft, I was able to touch base with Gabriel Craig and his partner Amy Weiks, who are both working as artists in residence at HCCC. Gabriel and I got a chance to talk a little bit, and he was nice enough to let me shoot some pictures of the space that he and Amy share.
I absolutely loved the work Amy had on display. Unfortunately my pictures of her brooches didn't turn out so great (I've done a lot of apologizing on this blog for all of my bad images. Maybe I should take a photo class.) I also love this neckpiece of hers (top photo). A larger version was in the Exhibition in Motion and it was difficult to tell what the materials were, especially since I couldn't hear the announcer from where I was. Both are made out of hand dyed terry cloth and glass beads. I love that Amy uses glass beads, which always seem to get a bad rap in the metals community. I started out as a beader, and still love beads, but haven't ever been able to work seed beads into my work successfully. It's great to see an artist who has. I was also very intrigued by these sketches of Gabriel's (bottom photo).
Gabriel also gave a talk at the conference. You can read the entirety on his blog Conceptual Metalsmithing.