Day 2: Caroline Gore Keynote

I was surprised and thrilled when I found out that Caroline Gore was going to be our key note speaker this year. I've been in love with her work since even before I saw her solo show during the SNAG conference in Houston. Caroline's talk Shifting Tradition: A Journey Through Lineage covered the work she completed while in graduate school here at ECU, and during several residencies including the Fiskars Residency in Finland, Bemis Center for Contemporary Arts in Omaha, Nebraska,Florence, Italy and a workshop with Ruudt Peters.

Brooch: Shadowpants 2010
Oxidized sterling silver, gold solder, cotton, silk, thread
21 x 12 x 5 cm
At Palazzo Acciaiuoli, Certosa of Galluzzo, Florence, Italy
photographic reference to site observation, 2007

It was fascinating to see how much the environment affected her work. I love seeing the images next to the jewelry pieces, that direct influence. But Caroline also talked about the intangible aspects of the environment: the city noise in Florence, taking daily walks in Finland, and the storms in Omaha. One of my favorite things she spoke about was seeing moon jellies in an aquarium in Australia, lit in red. She took dozens of pictures, but didn't really do anything with them until years later. I love this example of how as an artist, you just physically and mentally collect whatever speaks to you, not knowing when or how it's going to manifest itself later. This story really resonated with me, since this sort of thing has been happening in my work for the past year or so.

Brooch: Micro/Macro 2010
24K gold leaf, oxidized sterling silver, leather, bone, glass, thread
8 x 10.5 x 2.5 cm
Along River Tay, Dundee, Scotland, United Kingdom
photographic reference to site observation, 2007

Caroline also gave some great general advice on making work. She talked about not letting your own expectations, or those of other people get in the way of your work, and on the value of letting things go. She told us all that what we make is unique and valid and never to question that, and that authentic work sells itself. Two things I know to be true, but too often forget. She said as artists, we need to know when to shout and when to whisper, something I'm still trying to work on.

Necklace: The Shape of Absence 2010
18K gold, silk ribbon, thread
71cm in length
Absence: by Train & on foot, Dundee, Scotland, United Kingdom
photographic reference to site observation, 2007

It was great to see all of these examples of Caroline's work, even just as images, and to hear how they came about. But I think what sticks with me the most is her attitude towards her work. You don't make work because of some class or assignment. You make work because you need it as much as you need to breathe air. And you make work about what speaks to you, whether it be your dog, or some rocks on the ground, or something you saw years ago. You don't have to make the type of work other people expect you to make. Or even what you expect yourself to make.

I'd like to leave you with three short bullet points from my notes, which I'm going to go post up in my space. Again, these are things we know, or should know, but always bear repeating:

- loosen up

-don't worry so much

-work from the core

Thanks for reading.

Bob Ebendorf Gala and Silent Auction

Saturday night I got all gussied up and went to Bob's Gala/Silent Auction. It was a lot of fun and I got to hang out with a bunch of good friends that I don't get to see very often. There was SO much amazing work in the auction, I couldn't resist bidding on a couple pieces. I even won this sweet silver and silk necklace by Caroline Gore! My brooch went for $110, which isn't bad, but I would have like to have seen it go a bit higher. I got to talk to the woman who bought it though, which was cool. She had also won the Elizabeth Turrell piece. I'm kind of excited to think that my piece is in the same personal collection with an Elizabeth Turrell.

The food was good, and dessert was AMAZING, and we even got to see a bit of the interview they filmed here this summer with Bob, for the Governor's Award. I was in it, for about 3 seconds in my space, wearing my grody apron and gesturing wildly with this half finished electroform in my hand. I have no idea what I was doing, or what I was talking about.

So many people came out to support Bob. It was really great to see. Here's a shot of all the current ECU students and ECU alumni with our wonderful metals faculty. There's no denying it, we're a sexy bunch!


Happy Tuesday!

SNAG Houston Pt. 2

I think I said this before, but I feel that this conference had the best work on display out of three conferences I've been to. I don't know if it's just my personal taste, or the fact that I got to see more of the shows this year than in the past. The gallery tour lasted two nights, with different shows featured each night, which gave everyone a chance to see more. One of my favorites was Caroline Gore's show Interventions, Observations and Simulations at the Lawndale Art Center.
I've admired her work through photographs for a while now, but seeing the work in person is always a different experience. Her entire show was quiet and lovely. The large installations had a certain quietness to them, and they didn't over power the small works at all. I love her combinations of metal, fabric and photography. For me, it was a gem of a show.

We also hit up the Extreme Tea Exhibition. I made a tea infuser in two days, right before the submission deadline for this show. It turned out great and I was super happy with it. It didn't get into this show and after seeing the work that did, I can totally see why. Although I thought this show was great, it was overall not the aesthetic of my work at all. My piece totally wouldn't have fit in. I still glad I made my tea infuser, and was able to show it here at ECU.
Here are my favorites from the Extreme Tea Show, which I managed to photograph before they told me to stop. These were probably the most non-tradition pieces in the whole show, and unfortunately I don't know who made them.




And here's my friend Marissa with her enameled lady tea infuser!